Capoeira Angola is an afro-brazilian manifestation that realizes itself thru a performance concerning music and dance. It arises mainly from the need of the enslaved nations to looking for their own identity and the fight for freedom. In this manifestation the musical elements so much as the chorographical ones hold deeper and symbolical meanings which includes a variety of other areas of knowledge as history, philosophy and religion, creating a very complex universe.
With the purpose of understanding the music inserted in the different contexts in which the manifestation is developed, we apply a phenomenological view, redirecting the scientific question to the self-conscience of the phenomena, based on the observations made considering the learning process of the Capoeira Angola in the.
